the john muir exhibit - writings - the treasures of the yosemite
The Treasures of the Yosemite
The Century Magazine,
Vol. XL. August, 1890. No. 4
View of the Yosemite Valley from Point Lookout--El Capitan on the left,
the Bridal Veil Fall on the right, the Half Dome in the distance.
THE
Yosemite Valley, in the heart
of the Sierra Nevada, is a noble
mark for the traveler, whether
tourist, botanist, geologist, or
lover of wilderness pure and
simple. But those who are free
may find the journey a long one; not because
of the miles, for they are not so many,--only
about two hundred and fifty from San Francisco, and
passed over by rail and carriage roads
in a day or two,--but the way is so beautiful
that one is beguiled at every step, and the great
golden days and weeks and months go by uncounted.
How vividly my own first journey to
Yosemite comes to mind, though made more
than a score of years ago. I set out afoot from
Oakland, on the bay of San Francisco, in
April. It was the bloom-time of the year over
all the lowlands and ranges of the coast; the
landscape was fairly drenched with sunshine,
the larks were singing, and the hills were so
covered with flowers that they seemed to be
painted. Slow indeed was my progress through
these glorious gardens, the first of the California
flora I had seen. Cattle and cultivation were
making few scars as yet, and I wandered enchanted
in long, wavering curves, aware now
and then that Yosemite lay to the eastward,
and that some time, I should find it.
One shining morning, at the head of the
Pacheco Pass, a landscape was displayed that
after all my wanderings still appears as the
most divinely beautiful and sublime I have
ever beheld. There at my feet lay the great
central plain of California, level as a lake
thirty or forty miles wide, four hundred long,
one rich furred bed of golden Compositae.
And along the eastern shore of this lake of
gold rose the mighty Sierra, miles in height,
in massive, tranquil grandeur, so gloriously
colored and so radiant that it seemed not clothed
with light, but wholly composed of it, like the
wall of some celestial city. Along the top, and
extending a good way down, was a rich pearl-gray
belt of snow; then a belt of blue and
dark purple, marking the extension of the
forests; and stretching along the base of the
range a broad belt of rose-purple, where lay
the miners' gold and the open foothill gardens--all
the colors smoothly blending, making a wall of light
clear as crystal and ineffably
fine, yet firm as adamant. Then it seemed to
me the Sierra should be called, not the Nevada
or Snowy Range, but the Range of Light.
And after ten years in the midst of it, rejoicing
and wondering, seeing the glorious floods
of light that fill it,--the sunbursts of morning
among the mountain-peaks, the broad noonday
radiance on the crystal rocks, the flush of the
alpenglow, and the thousand dashing waterfalls with
their marvelous abundance of irised
spray,--it still seems to me a range of light.
But no terrestrial beauty may endure forever.
The glory of wildness has already departed
from the great central plain. Its bloom is
shed, and so in part is the bloom of the mountains.
In Yosemite, even under the protection
of the Government, all that is perishable is
vanishing apace.
The Sierra is about 500 miles long, 70 miles
wide, and from 7000 to nearly 15,000 feet high.
In general views no mark of man is visible
upon it, nor anything to suggest the wonderful depth
and grandeur of its sculpture. None
of its magnificent forest-crowned ridges seems
to rise much above the general level to publish
its wealth. No great valley or river is seen or
group of well-marked features of any kind
standing out as distinct pictures. Even the
summit peaks, marshaled in glorious array so
high in the sky, seem comparatively smooth
and featureless. Nevertheless the whole range
is furrowed with cañons to a depth of from
2000 to 5000 feet, in which once flowed majestic
glaciers, and in which now flow and sing
the bright Sierra rivers.
Though of such stupendous depth, these
cañons are not raw, gloomy, jagged-walled
gorges, savage and inaccessible. With rough
passages here and there, they are mostly smooth,
open pathways conducting to the fountains of
the summit; mountain streets full of life and
light, graded and sculptured by the ancient
glaciers, and presenting throughout all their
courses a rich variety of novel and attractive
scenery--the most attractive that has yet been
discovered in the mountain ranges of the world.
In many places, especially in the middle
region of the western flank, the main cañons
widen into spacious valleys or parks of
charming beauty, level and flowery and diversified
like landscape gardens with meadows
and groves and thickets of blooming bushes,
while the lofty walls, infinitely varied in form,
are fringed with ferns, flowering plants, shrubs
of many species, and tall evergreens and oaks
which find anchorage on a thousand narrow
steps and benches, the whole enlivened and
made glorious with rejoicing streams that come
dancing and foaming over the sunny brows of
the cliffs, and through side cañons
in falls of
every conceivable form, to join the shining
river that flows in tranquil beauty down the
middle of each one
of them.
The most famous and accessible of these
cañon valleys, and also the one that presents
their most striking and sublime features on the grandest
scale, is the Yosemite, situated
on the upper waters of the Merced at an elevation
of 4000 feet above the level of the sea.
It is about seven miles long, half a mile to a
mile wide, and nearly a mile deep, and is carved
in the solid granite flank of the range. The walls
of the valley are made up of rocks, mountains
in size, partly separated from each other by
side cañons and gorges; and they are so sheer
in front, and so compactly and harmoniously
built together on a level floor, that the place,
comprehensively seen, looks like some immense
hall or temple lighted from above.
But no temple made with hands can compare with Yosemite.
Every rock in its walls
seems to glow with life. Some lean back in
majestic repose; others, absolutely sheer or
nearly so for thousands of feet, advance beyond their
companions in thoughtful attitudes
giving welcome to storms and calms alike,
seemingly conscious, yet heedless of everything
going on about them. Awful in stern, immovable majesty,
how softly these mountain rocks
are adorned and how fine and reassuring the
company they keep--their feet set in groves
and gay emerald meadows, their brows in the
thin blue sky, a thousand flowers leaning confidingly
against their adamantine bosses, bathed
in floods of booming water, floods of light,
while snow, clouds, winds, avalanches, shine
and sing and wreathe about them as the years
go by! Birds, bees, butterflies, and myriads
of nameless wings stir the air into music and
give glad animation. Down through the midst
flows the crystal Merced--river of mercy--peacefully
gliding, reflecting lilies and trees
and the onlooking rocks, things frail and
fleeting and types of endurance meeting here
and blending in countless forms, as if into this
one mountain mansion Nature had gathered
her choicest treasures, whether great or small
to draw her lovers into close and confiding
communion with her.
Down grade into the valley.
|
Sauntering towards Yosemite up the foothills, richer
and wilder become the forests and
streams. At an elevation of 6000 feet above
the level of the sea the silver firs are 200 feet
high, with branches whorled around the colossal shafts
in regular order, and every branch
beautifully pinnate like a fern leaf. The Douglas
spruce and the yellow and sugar pines
here reach their highest developments of
beauty and grandeur, and the rich, brown-barked libocedrus
with warm, yellow-green
plumes. The majestic sequoia, too, is here,
the king of conifers, "the noblest of a noble
race." All these colossal trees are as wonderful
in the fineness of their beauty and proportions as in stature,
growing together, an
assemblage of conifers surpassing all that have
yet been discovered in the forests of the world.
Here, indeed, is the tree-lover's paradise, the
woods, dry and wholesome, letting in the
light in shimmering masses half sunshine, half
shade, the air indescribably spicy and exhilarating,
plushy fir boughs for beds, and cascades
to sing us asleep as we gaze through the trees
to the stars.
On the highest ridges passed over on our
way to Yosemite the lovely silver fir (Abies amabilis)
forms the bulk of the woods, pressing forward in
glorious array to the very brink
of the walls on both sides and far beyond to a
height of from 8000 to 9000 feet above the level
of the sea. Thus it appears that Yosemite,
presenting such stupendous faces of bare granite,
is nevertheless embedded in magnificent
forests. All the main species of pine, fir,
spruce, and libocedrus are also found in the
valley itself. But there are no "big trees"
(Sequoia gigantea) in the valley or about
the
rim of it. The nearest are about ten miles
beyond the boundary wall of the grant, on
small tributaries of the Merced and Tuolumne. The
sequoia belt extends along the
western flank of the range, from the well-known Calaveras
Grove on the north to the
head of Deer Creek on the south, a distance
of about two hundred miles, at an elevation of
from about 5000 to 8000 feet above sea level.
From the Calaveras to the south fork of
King's River the species occurs only in small
isolated groves or patches so sparsely distributed
along the belt that two of the gaps that
occur are nearly forty miles wide, one of
them between the Stanislaus and Tuolumne
groves, the other between those of the Fresno
and King's River. Hence southward, instead
of forming small sequestered groups among
the other conifers, the big trees sweep majestically
across the broad, rugged basins of
the Kaweah and Tule in noble forests a distance of
nearly seventy miles, with a width of
from three to ten miles, the continuity of this
portion of the belt being interrupted only by
deep cañons.
The Fresno, the largest of the northern
groves, occupies an area of three or four
square miles, and is situated a short distance to
the southward of the famous Mariposa Grove.
Along the beveled rim of the cañon of the
south fork of King's River there is a stately
forest of sequoia about six miles long and two
miles wide. This is the northernmost assemblage of
big trees that may fairly be called a
forest. Descending the precipitous divide between
King's River and the Kaweah one enters
the grand forests that form the main continuous
portion of the belt. Advancing southward the
trees become more and more irrepressibly exuberant,
heaving their massive crowns into the
sky from every ridge, and waving onward in
graceful compliance with the complicated topography.
The finest of the Kaweah portion
of the belt is on the broad ridge between Marble
Creek and the middle fork, and extends
from the granite headlands overlooking the hot
plains back to within a few miles of the cool glacial
fountains. The extreme upper limit of the
belt is reached between the middle and south
forks of the Kaweah, at an elevation of 8400
feet. But the finest block of sequoia in the
entire belt is on the north fork of the Tule
River. In the northern groups there are comparatively
few young trees or saplings. But
here for every old, storm-stricken giant there
is one or more in all the glory of prime, and
for each of these there are many young trees
and crowds of eager, hopeful saplings growing
heartily everywhere--on moraines, rocky
ledges, along watercourses, and in the deep,
moist alluvium of meadows, seemingly in hot
pursuit of eternal life.
Destructive work in Yosemite Valley: the "Leidig
Meadows" plowed up in October, 1888, to raise hay.
("Process" reproduction from a photograph.)
|
Though the area occupied lily the species
increases so much from north to south, there is
no marked increase in the size of the trees. A
height of two hundred and seventy-five feet
and a diameter of twenty is perhaps about the
average for full-grown trees: specimens twenty-five
feet in diameter are not rare, and a good
many are nearly three hundred feet high. The
largest I have yet met in the course of my explorations
is a majestic old monument in the
new King's River forest. It is thirty-five feet
and eight inches in diameter inside the bark
four feet from the ground,
and a plank of solid wood
the whole width of the tree
might be hewn from it with out the slightest
decay.
Under the most favorable conditions these giants
live
five or six thousand years
though few of even the
larger specimens are more
than half as old. The
sequoia seems to be entirely
exempt from the diseases
that afflict and kill other
conifers--mildew, dry rot,
or any other kind of rot. I
never saw a sick sequoia, or
one that seemed to be dying of old age. Unless
destroyed by man, they live
on indefinitely until burned, smashed by lightning,
or cast down by the giving way of the
ground on which they stand.
These king trees, all that there are of their
kind in the world, are surely worth saving,
whether for beauty, science, or bald use. But
as yet only the isolated Mariposa Grove has
been reserved as a park for public use and
pleasure. Were the importance of our forests
at all understood by the people in general, even
from an economic standpoint their preservation
would call forth the most watchful attention of
the Government. At present, however, every
kind of destruction is moving on with accelerated
speed. Fifteen years ago I found five
mills located on or near the lower margin of the
main sequoia belt, all of which were cutting big-tree
lumber. How many more have been
built since that time I am unable to say, but
most of the Fresno group are doomed to feed
the large mills established near them, and a
company with ample means is about ready
for work on the magnificent forests of King's
River. In these mill operations waste far exceeds
use. For after the young, manageable
trees have been cut, blasted, and sawed, the
woods are fired to clear the ground of limbs
and refuse, and of course the seedlings and saplings,
and many of the unmanageable giants,
are destroyed, leaving but little more than
black, charred monuments. These mill ravages, however,
are small as yet compared with
the comprehensive destruction caused by
"sheepmen." Incredible numbers of sheep
are driven to the mountain pastures every
summer, and desolation follows them. Every
garden within reach is trampled, the shrubs are
stripped of leaves as if devoured by locusts,
and the woods are burned to improve the
pasturage. The entire belt of forests is thus
swept by fire, from one end of the range to the
other; and, with the exception of the resinous
Pinus contorta, the sequoia
suffers most of all.
Steps are now being taken towards the creation of
a national park about the Yosemite,
and great is the need, not only for the sake of
the adjacent forests, but for the valley itself.
For
the branching cañons and valleys of the basins
of the streams that pour into Yosemite are as
closely related to it as are the fingers to the
palm of the hand--as the branches, foliage, and
flowers of a tree to the trunk. Therefore, very
naturally, all the fountain region above Yosemite,
with its peaks, cañons, snow fields, glaciers,
forests, and streams, should be included in the
park to make it an harmonious unit instead of a
fragment, great though the fragment be; while
to the westward, below the valley, the boundary
might be extended with great advantage far
enough to comprehend the Fresno, Mariposa,
Merced, and Tuolumne groves of big trees,
three of which are on roads leading to the valley,
while all of them are in the midst of
conifers scarcely less interesting than the colossal
brown giants themselves.
From the heights on the margin of these
glorious forests we at length gain our first general
view of the valley--a view that breaks
suddenly upon us in all its glory far and
wide and deep; a new revelation in landscape
affairs that goes far to make the weakest and
meanest spectator rich and significant ever-more.
Along the curves and zigzags of the road,
all the way down to the bottom, the valley is
in sight with ever-changing views, and the eye
ranges far up over the green grovy floor between
the mighty walls, bits of the river
gleaming here and there, while as we draw nearer
we begin to hear the song of the waters. Gazing at
random, perhaps the first object to
gain concentrated attention will be the Bridal
Veil, a beautiful waterfall on our right. Its
brow, where it first leaps free from the rock, is
about nine hundred feet above us; and as it
sways and sings in the wind, with gauzy, sun-sifted
spray half falling, half floating, it seems
infinitely gentle and fine; but the hymn it sings
tells the solemn power that is hidden beneath
the soft clothing it wears.
Cathedral Rocks. (2600 feet high.)
|
On the other side of the valley, opposite
the Veil, there is another magnificent fall, called
the Ribbon Fall, or Virgin's Tears. The "tears"
fall from a height of about 3000 feet, and are
most extravagantly copious when the snow is
melting, coming hissing and roaring with force
enough to drive a mile of mills, suggesting the
"weeping skies" of cyclones and hurricanes.
Just beyond this glorious flood the El Capitan rock
is seen through the pine groves
pressing forward beyond the general line of the
wall in most imposing grandeur. It is 3300
feet high, a plain, severely simple, glacier-sculptured
face of granite, the end of one of
the most compact and enduring of the mountain
ridges, standing there in supreme height
and breadth, a type of permanence.
Across the valley from here, above the
Bridal Veil, are the picturesque Cathedral
Rocks, nearly 2700 feet high, making a noble
display of fine yet massive sculpture. They are
closely related to El Capitan, having been hewn
from the same mountain ridge by the Yosemite
glacier when the valley was in process of
formation.
Mirror view of the Three Brothers.
|
Beyond El Capitan the next in succession
of the most striking features of the north wall
are the Three Brothers, an immense mountain
mass with three gables fronting the valley one
above the other, the topmost nearly 4000 feet
high. They were named for three brothers
captured here during the Indian warns, sons of
Tenaya, the old Yosemite chief.
On the south wall opposite the Brothers
towers the Sentinel Rock to a height of more
than 3000 feet, a telling monument of the icy past.
Sentinel Rock.
|
Sauntering up the valley through meadow
and grove, in the company of these majestic
rocks, which seem to follow as we advance
gazing, admiring, looking for new wonders
ahead where all about us is wonderful, the
thunder of the Yosemite Fall is heard, air
when we arrive in front of the Sentinel it is
revealed in all its glory from base to summit,
half a mile in height, and seeming to gush direct
from the sky. But even this fall, perhaps
the most wonderful in the world, cannot at
first control our attention, for now the wide
upper portion of the valley is displayed to
view, with the North Dome, Royal Arches,
and Washington Column on our left; Glacier
Point Rock, with its magnificent sculpture, on
the right; and in the middle Tissiack or Half
Dome, the most beautiful and most sublime
of all the mountain rocks about the valley.
It rises in serene majesty from the fertile level
into the sky to a height of 4750 feet.
Here the valley divides into three branches
the Tenaya, Nevada, and Illilouette cañons
and valleys, extending back into the fountains
of the High Sierra, with scenery every way
worthy the relation they bear to Yosemite.
In the south branch, a mile or two from the
main valley, is the Illilouette Fall, 600 feet
high, one of the most beautiful of all the
Yosemite choir, but to most people inaccessible as
yet on account of its rough,
boulder-choked cañon.
Its principal fountains of ice
and snow lie in the beautiful and interesting
mountains of the Merced group, while its
broad, open basin in general is noted for the
beauty of its lakes and extensive forests.
Going up the north branch of the valley,
we pass between the North Dome and the
Half Dome, and in less than an hour come to
Mirror Lake, the Dome Cascades, and Tenaya
Fall, each interesting in its own way. Beyond
the fall, on the north side of the cañon,
is the
sublime El Capitan-like rock called Mount
Watkins; on the south the vast granite wave
of Cloud's Rest, a mile in height; and between
them the fine Tenaya Cascade with silvery
plumes outspread on smooth, glacier-polished
folds of granite, making a vertical descent in
all of about 700 feet.
Just beyond the Dome Cascades, on the
shoulder of Mount Watkins, there is an old trail
once used by the Indians on their way across
the range to Mono, but in the cañon above
this point there is no trail of any sort. Between
Mount Watkins and Cloud's Rest the
cañon is accessible only to mountaineers,
and
it is so dangerous in some places that I hesitate
to advise even good climbers anxious to test
their nerve and skill to pass through it. Beyond
the Cascades no great difficulty will be
encountered. A succession of charming lily
gardens and meadows occur in filled up lake
basins among the rock-waves in the bottom
of the cañon, and everywhere the surface of
the granite has a smooth-wiped appearance,
and in many places, reflecting the sunbeams,
shines like glass--phenomena due to glacial
action, the cañon having been the channel
of
one of the main tributaries of the ancient
Yosemite glacier.
Ten miles above the valley we come to the
beautiful Tenaya Lake, and here the cañon
terminates. A mile or two above the lake
stands the grand Sierra Cathedral, a building
of one stone, hewn from the living rock, with
sides, roof, gable, spire, and ornamental pinnacles,
fashioned and finished symmetrically
like a work of art, and set on a well-graded
plateau about 9000 feet high, as if Nature in
making so fine a house had also been careful
that it should be finely seen. From every direction
its peculiar form and graceful beauty
of expression never fail to charm. Its height
from the floor to the ridge of the roof is about
2500 feet, and among the pinnacles that adorn
the front glorious views may be gained of the
upper basins of the Merced and Tuolumne.
Passing on each side of the Cathedral we
descend into the delightful Tuolumne Valley,
from which excursions may be made to Mount
Dana, Mono Lake, Mount Lyell, to the many
curious peaks that rise above the meadows on
the south, and to the Big Tuolumne Cañon
with its glorious abundance of rocks and falling,
gliding, tossing water. For all these the
spacious meadows near the Soda Springs form
a delightful center.
Returning now to Yosemite, and ascending
the middle or Nevada branch of the valley,
which is occupied by the main Merced River,
we come within a few miles to the Vernal and
Nevada falls, 400 and 600 feet high, and set in
the novel and sublime rock-work.
Above these, tracing the river, we are led into
the Little Yosemite, a valley like the great Yosemite
in form, sculpture, and vegetation. It is
about three miles long, with walls 1500 to 2000
feet high, cascades coming over them, and the
river flowing through the meadows and groves
of the level bottom in tranquil crystal reaches.
Beyond this there are four other little Yosemites
in the main cañon, making a series
of five in all, the highest situated a few miles
below the base of Mount Lyell, at an elevation
of about 7800 feet above the sea. To describe
these, with all their wealth of Yosemite furniture,
and the wilderness of lofty peaks above
them, the home of the avalanche and treasury
of the fountain snow, would take us far beyond
the bounds of a magazine article. We cannot here
consider the formation of these
mountain landscapes--how the crystal rocks with
crystal snow were brought to the light, making
beauty whose influence is so mysterious on
everybody who sees it; the blooming of the
clouds; the fall of the snow; the flight of the
avalanches; the invisible march of the grinding
glaciers; the innumerable forms of the falling streams.
Of the small glacier lakes so characteristic
of these upper regions, there are no fewer than
sixty-seven in the basin of the main middle
branch, besides countless smaller pools, all
their waters crisp and living and looking out
on beautiful skies. In the basin of the Illilouette
there are sixteen, in the Tenaya and
its branches thirteen. in the Yosemite creek
basin fourteen, and in the Pohono
or Bridal Veil one, making a grand
total of a hundred and eleven lakes
whose waters come to sing at Yosemite. So glorious
is the background
of the great valley, so harmonious
its relations to its widespreading
fountains. On each side also the
same harmony prevails. Climbing
out of the valley by the subordinate cañons,
we find the ground
rising from the brink of the
walls--on the south side to
the fountains of Pohono or
Bridal Veil Creek, the basin
of which is noted for the extent and beauty of its
meadows
and its superb forests of silver
fir; on the north side through
the basin of the Yosemite
Creek to the dividing ridge
along the Tuolumne Cañon
and the fountains of the
Hoffman spur.
In general views the Yosemite Creek basin seems to
be paved with domes and
smooth whaleback masses of
granite in every stage of development--some showing
only their crowns; others
rising high and free above
the girdling forests, singly or
in groups. Others again are
developed only on one side,
forming bold outstanding
bosses usually well fringed
with shrubs and trees, and
presenting the polished
shining surfaces given them
by the glacier that brought
them into relief. On the upper portion of the
basin broad moraine beds have been deposited
and on these fine, thrifty forests are growing.
Lakes and meadows and small spongy bogs
may be found hiding here and there among
the domes, in the woods, or back in the fountain
recesses of Mount Hoffman, while a
thousand gardens are planted along the banks of
the
streams. All the wide, fan-shaped upper portion
of the basin is covered with a network of small
rills that go cheerily on their way to their grand
fall in the valley, now flowing on smooth
pavements in sheets thin as glass, now diving
under willows and laving their red roots,
oozing through bogs, making tiny falls and
cascades, whirling and dancing, calming again,
gliding through bits of smooth glacier meadows
with sod of Alpine agrostis mixed with blue
and white violets and daisies, breaking, tossing
among rough boulders and fallen trees, flowing together
until, all united, they go to their
fate with stately, tranquil air like a full-grown
river. At the crossing of the Mono trail, about
two miles above the head of the Yosemite Fall,
the stream is nearly forty feet wide, and when the
snow is melting rapidly in the spring it is
about four feet deep, with a current of two
and a half miles an hour. This is about the
volume of water that forms the fall in May and
June when there has been much snow the
preceding winter; but it varies greatly from
month to month. The snow rapidly vanishes
from the open portion of the basin, which faces
southward, and only a few of the tributaries
reach back to perennial snow and ice fountains in
the shadowy amphitheaters on the
northern slopes of Mount Hoffman. The total
descent made by the stream from its highest
sources to its confluence with the Merced in
the valley is about 6000 feet, while the distance
is only about ten miles, an average fall of 600
feet per mile. The last mile of its course lies
between the sides of sunken domes and swelling
folds of the granite that are clustered and
pressed together like a mass of bossy cumulus
clouds. Through this shining way Yosemite
Creek goes to its fate, swaying and swirling
with easy, graceful gestures and singing the
last of its mountain songs before it reaches the
dizzy edge of Yosemite to fall 2600 feet into
another world, where climates vegetation, inhabitants,
all are different. Emerging from this
last cañon the stream glides, in flat, lace-like
folds, down a smooth incline into a small pool
where it seems to rest and compose itself before
taking the grand plunge. Then calmly,
as if leaving a lake, it slips over the polished
lip of the pool down another incline and out
over the brow of the precipice in a magnificent
curve thick sown with rainbow spray.
In tracing the stream for the first time, getting
acquainted with the life it lived in the
mountains, I was eager to reach the extreme
verge to see how it behaves in flowing so far
through the air; but after enjoying this view
and getting safely away I have never advised
any one to follow my steps. The last incline
down which the stream journeys so gracefully
is so steep and smooth one must slip cautiously
forward on hands and feet alongside the rushing water,
which so near one's head is very
exciting. But to gain a perfect view one must
go yet farther, over a curving brow to a slight
shelf on the extreme brink. This shelf, formed
by the flaking off of a fold of the granite, is
about three inches wide, just wide enough for
a safe rest for one's heels. To me it seemed
nerve-trying to slip to this narrow foothold
and poise on the edge of such a precipice so
close to the confusing whirl of the waters; and
after casting longing glances over the shining
brow of the fall and listening to its sublime
psalm, I concluded not to attempt to go nearer,
but did, nevertheless, against reasonable judgment.
Noticing some tufts of artemisia in a
cleft of rock, I filled my mouth with the leaves,
hoping their bitter taste might help to keep
caution keen and prevent
giddiness; then I reached
the little ledge, got my heels
well set, and worked side-wise twenty or thirty feet
to a point close to the out-plunging current. Here
the view is perfectly free down
into the heart of the bright
irised throng of comet-like
streams into which the
whole ponderous volume
of the fall separates a little
below the brow. So glorious a display of pure wildness,
acting at close range
while one is cut off from
all the world beside, is terribly impressive.
Mirror view of Yosemite Falls.
|
About forty yards to the
eastward of the Yosemite Fall on a fissured portion
of the edge of the cliff a less nerve-trying
view may be obtained, extending all the way
down to the bottom from a point about two
hundred feet below the brow of the fall, where
the current, striking a narrow ledge, bounds out
in the characteristic comet-shaped masses. Seen
from here towards noon, in the spring, the rainbow
on its brow seems to be broken up and
mingled with the rushing comets until all the
fall is stained with iris colors, leaving no white
water visible. This is the best of the safe views
from above, the huge steadfast rocks, the flying
waters, and the rainbow light forming one
of the most glorious pictures conceivable.
The Yosemite Fall is separated into an
upper and a lower fall with a series of falls
and cascades between them, but when viewed in front
from the bottom of the valley they all appear as
one.
The Nevada Fall usually
is ranked next to the Yosemite in general interest
among the five main falls of
the valley. Coming through
the Little Yosemite in tranquil reaches, charmingly
embowered, the river is first
broken into rapids on a
moraine boulder bar that
crosses the lower end of the
valley. Thence it pursues
its way to the head of the
fall in a very rough channel,
cut in the solid granite, dashing on side angles,
heaving in heavy, surging masses against bossy knobs,
and swirling and swashing in potholes without
a moment's rest. Thus, already chafed and
dashed to foam, over-folded and twisted it
plunges over the brink of the precipice as if
glad to escape into the open air. But before it
reaches the bottom it is pulverized yet finer
by impinging upon a sloping portion of the
cliff about half way down, thus making it the
whitest of all the falls of the valley, and altogether
one of the most wonderful in the world.
On the north side, close to the head of the
fall, a slab of granite projects over the brink,
forming a fine point for a view over the throng
of streamers and wild plunging thunderbolts;
and through the broad drifts of spray we
see the river far below gathering its spent
waters and rushing on again down the cañon
in glad exultation into Emerald Pool, where
at length it grows calm and gets rest for what
still lies before it. All the features of the view
correspond with the waters. The glacier-sculptured
walls of the cañon on either hand, with
the sublime mass of the Glacier Point Ridge
in front, form a huge triangular, pit-like basin,
which, filled with the roar of the falling river,
seems as if it might be the hopper of one of the
mills of the gods in which the mountains were
being ground to dust.
The Vernal, famous for its rainbows, is a
staid, orderly, easy-going fall, proper and exact
in every movement, with scarce a hint of the
passionate enthusiasm of the Yosemite or the
Nevada. Nevertheless it is a favorite with most
visitors, doubtless because it is better seen than
any other. A good stairway ascends the cliff
beside it, and the level plateau at the head
enables one to saunter safely along the edge of
the stream as it comes from Emerald Pool and
to watch its waters, calmly bending over the
brow of the precipice, in a sheet 80 feet wide
and changing from green to purplish gray and
white until dashed on the rough boulder talus
below. Thence issuing from beneath the
clouds of the out-wafting spray we can see
the adventurous stream, still unspent, beating
its way down the rugged cañon in gray continuous
cascades, dear to the ousel, until it
sweeps around the shoulder of the Half Dome
on its approach to the head of the main valley.
Stairway on Cloud's Rest Trail.
|
The Illilouette in general appearance most
resembles the Nevada. The volume of water
is less than half as great, but it is about the
same height (600 feet), and its waters receive
the same kind of preliminary tossing in a rocky
irregular channel. Therefore it is a very white
and fine-grained fall. When it is in full spring-time
bloom it is partly divided by rocks that
roughen the lip of the precipice, but this division
amounts only to a kind of fluting and
grooving of the column, which has a beautiful
effect. It is not nearly so grand a fall as the
upper Yosemite, or so symmetrical as the Vernal,
or so airily graceful and simple as the Bridal
Veil, nor does it ever display so tremendous an
outgush of snowy magnificence as the Nevada;
but in the exquisite fineness and richness of
texture of its flowing folds it surpasses them all.
One of the finest things I ever saw in Yosemite
or elsewhere I found on the brow of this
beautiful fall. It was in the Indian summer,
when the leaf colors were ripe and the great
cliffs and domes were transfigured in the hazy
golden air. I had wandered up the rugged
talus-dammed cañon of the Illilouette, admiring
the wonderful views to be had there of the
great Half Dome and the Liberty Cap, the foliage
of the maples, dogwoods, rubus tangles,
etc., the late goldenrods and asters, and the extreme
purity of the water, which in motionless
pools on this stream is almost perfectly invisible.
The voice of the fall was now low, and
the grand flood had waned to floating gauze
and thin-broidered folds of linked and arrowy lace-work.
When I reached the fall slant sun-beams were glinting across the
head of it,
leaving all the rest in shadow; and on the
illumined brow a group of yellow spangles
were playing, of singular form and beauty,
flashing up and dancing in large flame-shaped
masses, wavering at times, then steadying, rising
and falling in accord with the shifting forms
of the water. But the color changed not at all.
Nothing in clouds or flowers, on bird-wings
or the lips of shells, could rival it in fineness.
It was the most divinely beautiful mass of yellow
light I ever beheld--one of nature's
precious sights that come to us but once in a
lifetime.
Looking up Merced River, on the way to Vernal Falls.
|
For about a mile above Mirror Lake the
cañon is level and well planted with fir,
spruce,
and libocedrus, forming a remarkably fine
grove, at the head of which is the Tenaya
Fall. Though seldom seen or described, this
is, I think, the most picturesque fall in the valley.
For a considerable distance above it Tenaya Creek comes rushing
down, white and
foamy, over a flat pavement inclined at an angle
of about eighteen degrees. In time of high
water this sheet of bright rapids is nearly seventy
feet wide, and is varied in a very striking way
by three parallel furrows that extend in the direction
of the flow. These furrows, worn by
the action of the stream upon cleavage joints,
vary in width, are slightly sinuous, and have
large boulders firmly wedged in them here and
there in narrow places giving rise, of course,
to a complicated series of wild dashes, doublings,
and arching bounds in the swift torrent.
Just before it reaches the sheer precipice of
the fall the current is divided, the left division
making a vertical fall of about eighty feet in
a romantic leafy nook, while the other forms a
rugged cascade.
Lunar rainbows or spraybows also abound;
their colors as distinct as those of the sun, and
as obviously banded, though less vivid. Fine
specimens may be found any night at the foot
of the upper Yosemite Fall, glowing gloriously
amid the gloomy shadows of the cañon whenever
there is plenty of moonlight and spray,
silent interpreters of the heart-peace of
Nature in the stormy darkness. Even the secondary
bow is at times distinctly visible.
The best point from which to observe them
is on Fern Ledge. For some time after moonrise the
arc has a span of about five hundred
feet, and is set upright; one end planted in the
boiling spray at the bottom, the other in the
edge of the fall, creeping lower, of course, and
becoming less upright as the moon rises higher.
This grand arc of color, glowing in mild,
shapely beauty in so weird and huge a chamber of
night shadows, and amid the rush and
roar and tumultuous dashing of this thunder-voiced
fall, is one of the most impressive and
most cheering of all the blessed evangels of
the mountains.
A wild scene, but not a safe one, is made by
the moon as it appears through the edge of the
Yosemite Fall when one is behind it. Once
after enjoying the night-song of the waters, and
watching the formation of the colored bow as
the moon came round the domes and sent her
beams into the wild uproar, I ventured out on
the narrow bench that extends back of the
fall from Fern Ledge and began to admire the
dim-veiled grandeur of the view. I could see
the fine gauzy threads of the outer tissue by
having the light in front; and wishing to look
at the moon through the meshes of some of
the denser portions of the fall, I ventured to
creep farther behind it while it was gently wind-swayed,
without taking sufficient thought about
the consequences of its swaying back to its
natural position after the wind pressure should
be removed. The effect was enchanting. Fine,
savage music sounded above, beneath, around
me; while the moon, apparently in the very
midst of the rushing waters, seemed to be struggling
to keep her place, on account of the ever-varying
form and density of the water masses
through which she was seen, now darkened by
a rush of thick-headed comets, now flashing
out through openings between them. I was in
fairyland between the dark wall and the wild
throng of illumined waters, but suffered sudden disenchantment;
for, like the witch scene
in Alloway Kirk, "in an instant all was dark."
Down came a dash of spent comets, thin and
harmless-looking in the distance, but desperately
solid and stony in striking one's shoulders.
It seemed like a mixture of choking spray and
gravel. Instinctively dropping on my knees, I
laid hold of an angle of the rock, rolled myself
together with my face pressed against my
breast, and in this attitude submitted as best I
could to my thundering baptism. The heavier
masses seemed to strike like cobblestones, and
there was a confused noise of many waters
about my ears--hissing, gurgling, clashing
sounds that were not heard as music. The situation
was easily realized. How fast one's
thoughts burn at such times! I was weighing
the chances of escape. Would the column be
swayed a few inches away from the wall, or
would it come yet closer ? The fall was in flood,
and not so lightly would its ponderous mass be
swayed. My fate seemed to depend on a
breath of the "idle wind." It was moved
gently forward, the pounding ceased, and I
once more revisited the glimpses of the moon.
But fearing I might be caught at a disadvantage in
making too hasty a retreat, I moved
only a few feet along the bench to where a
block of ice lay. Between the ice and the
wall I wedged myself, and lay face downwards
until the steadiness of the light gave encouragement
to get away. Somewhat nerve-shaken,
drenched, and benumbed, I made out to build
a fire, warmed myself, ran home to avoid taking cold,
reached my cabin before daylight,
got an hour or two of sleep, and awoke sane
and comfortable, better, not worse, for my wild
bath in moonlit spray.
Destructive work in Yosemite Valley: stump forest,
mostly of young pine, in "State Pasture," covering
some eight acres. Cut in June, 1887, and felled in
this one spot. ("Process" reproduction of photograph.)
|
Owing to the westerly trend of the valley
and its vast depth there is a great difference
between the climates of the north and south
sides--greater than between many countries
far apart; for the south wall is in shadow during
the winter months, while the north is bathed in
sunshine every clear day. Thus there is mild
spring weather on one side of the valley while
winter rules the other. Far up the north-side
cliffs many a nook may be found closely embraced
by sun-beaten rock-bosses in which
flowers bloom every month of the year. Even
butterflies may be seen in these high winter
gardens except when storms are falling and a
few days after they have ceased. Near the head
of the lower Yosemite Fall in January I found
the ant lions lying in wait in their warm sand-cups,
rock ferns being unrolled, club mosses
covered with fresh growing points, the flowers
of the laurel nearly open, and the honeysuckle
rosetted with bright young leaves; every plant
seemed to be thinking about summer and to
be stirred with good vital sunshine. Even on
the shadow side of the valley the frost is never
very sharp. The lowest temperature I ever
observed during four winters was +7°. The
first twenty-four days of January had an average
temperature at 9 A. M. of 32°, minimum
22°; at 3 P. M. the average was 40° 30',
the
minimum 32°.
Throughout the winter months the spray
of the upper Yosemite Fall is frozen while
falling thinly exposed and is deposited around
the base of the fall in the form of a hollow
truncated cone, which sometimes reaches a
height of five hundred feet or more, into the
heart of which the whole volume of the fall
descends with a tremendous roar as if pouring
down the throat of a crater. In the building
of this ice-cone part of the frozen spray falls
directly to its place, but a considerable portion
is first frozen upon the face of the cliff on
both sides of the fall, and attains a thickness
of a foot or more during the night. When the
sun strikes this ice-coating it is expanded and
cracked off in masses weighing from a few
pounds to several tons, and is built into the
walls of the cone; while in windy, frosty
weather, when the fall is swayed from side to
side, the cone is well drenched, and the loose
ice-masses and dust are all firmly frozen together.
The thundering, reverberating reports
of the falling ice-masses are like those of
heavy cannon. They usually occur at
intervals of a few minutes, and are the most strikingly
characteristic of the winter sounds of the
valley, and constant accompaniments of the
best sunshine. While this stormy building is
in progress the surface of the cone is smooth
and pure white, the whole presenting the appearance
of a beautiful crystal hill wreathed
with folds of spray which are oftentimes irised.
But when it is wasting and breaking up in the
spring its surface is strewn with leaves, pine
branches, stones, sand, etc., that have been
brought over the fall, making it look like a
heap of avalanche detritus.
After being engulfed and churned in the
stormy interior of the crater the waters of the
fall issue from arched openings at the base, seemingly
scourged and weary and. glad to escape,
while belching spray spouted up out of the
throat past the descending current is wafted
away in irised drifts to the rocks and groves.
Anxious to learn what I could about the
structure of this curious ice-hill, I tried to climb
it, carrying an ax to cut footsteps. Before I had
reached the base of it I was met by a current
of spray and wind that made breathing difficult.
I pushed on backward, however, and
soon gained the slope of the hill, where by
creeping close to the surface most of the blast
was avoided. Thus I made my way nearly to
the summit, halting at times to peer up through
the wild whirls of spray, or to listen to the
sublime thunder beneath me, the whole hill
sounding as if it were a huge, bellowing, exploding
drum. I hoped that by waiting until
the fall was blown aslant I should be able to
climb to the lip of the crater and get a view
of the interior; but a suffocating blast, half air,
half water, followed by the fall of an enormous
mass of ice from the wall, quickly discouraged
me. The whole cone was jarred by the blow,
and I was afraid its side might fall in. Some
fragments of the mass sped past me
dangerously near; so I beat a hasty retreat, chilled
and
drenched, and laid myself on a sunny rock in
a safe place to dry.
The Bridal Veil, upper Yosemite, and the
Tu-ee-u-la-la of Hetch Hetchy (the next cañon
to the north), on account of their height and
exposure, are greatly influenced by winds.
The common summer winds that come up the
river cañon from the plains are never very
strong, partly on account of the roughness of
the way they have to travel. But the north
winds of winter do some very wild work, worrying
the falls and the forests, and hanging
snow banners, a mile long, on the peaks of the
summit of the range. One morning I was
awakened by the pelting of pine cones on the
roof of my cabin, and found, on going out, that
the north wind had taken possession of the
valley, filling it with a sea-like roar, and,
arousing the pines to magnificent action, made
them bow like supple willows. The valley
had been visited a short time before by a succession
of most beautiful snowstorms, and the
floor, and the cliffs, and all the region round
about were lavishly laden with winter jewelry.
Rocks, trees, the sandy flats and the meadows, all
were in bloom, and the air was filled
with a dust of shining petals. the gale increased
all day, and branches and tassels and
empty burs of the silver pine covered the
snow, while the falls were being twisted and
torn and tossed about as if they were mere
wisps of floating mist. In the morning the
great ponderous column of the upper
Yosemite Fall, increased in volume by the melting
of the snow during a warm spell, was
caught by a tremendous blast, bent upwards,
torn to shreds, and driven back over the brow
of the cliff whence it came, as if denied admission
to the valley. This kind of work would
be kept up for ten or fifteen minutes, then a
partial lull in the storm would allow the vast
torrent to arrange its tattered skirts, and come
back again to sing on in its accustomed course.
Amid all this rocking and bending and baffling of
the waters they were lighted
by a steady glare of sunlight, strangely white from
spicules of snow crystals. The lower fall,
though less exposed, was yet violently swirled and
torn and thrashed about in its narrow cañon,
and at times appeared as one resplendent mass of iris colors from
top to bottom, as if a hundred rainbows had been doubled up into
a mass four or five hundred feet in diameter. In the afternoon,
while I watched the
upper fall from the shelter of a pine tree, it
was suddenly arrested in its descent at a point
about half way down, and was neither blown
upward nor driven aside, but was simply held
stationary in mid air, as if gravitation below
that point in the path of its descent had ceased
to act. The ponderous flood, weighing hundreds of
tons, was sustained hovering,
hesitating, like a bunch of thistledown, while I
counted
190. All this time the ordinary amount of
water was coming over the cliff and accumulating
in the air, swedging and widening and
forming an irregular cone 700 feet high tapering
to the top of the wall, the whole standing
still, resting on the invisible arm of the north
wind. At length, as if commanded to go on
again, scores of arrowy comets shot forth from
the bottom of the suspended mass as if escaping from
separate outlets.
The brow of El Capitan was decked with
long streamers of snow-like hair, Cloud's Rest
was enveloped in drifting gossamer films, and
the Half Dome loomed up in the garish light
like some majestic living creature clad in the
same gauzy, wind-woven drapery, upward currents
meeting overhead sometimes making it
smoke like a volcano.
Destructive work in Yosemite Valley: specimen tree
trimming done in 1887-88. Much similar work has been
done in other parts of the valley. ("Process"
reproduction of photograph.)
|
Glorious as are these rocks and waters when
jumbled in storm winds, or chanting rejoicing
in everyday dress, there is a glory that excelleth,
when rare conditions of weather meet
to make every valley, hollow, gorge, and cañon
sing with flood waters. Only once have I seen
Yosemite in full bloom of flood during all the
years I have lived there. In 1871 the early
winter weather was delightful; the days all
sunshine, the nights clear and serene, calling forth
fine crops of frost crystals for the
withered ferns and grasses, the most luxuriant
growths of hoar-frost imaginable. In the afternoon
of December 16, when I was
sauntering on the meadows, I noticed a massive
crimson cloud growing in solitary grandeur
above Cathedral Rocks, its form scarcely less
striking than its color. It had a picturesque,
bulging base like an old sequoia, a smooth,
tapering stem, and a bossy, down-curling crown
like a mushroom; all its parts colored alike,
making one mass of translucent crimson. Wondering
what the meaning of that lonely red
cloud might be, I was up betimes next morning
looking at the weather, but all seemed tranquil
as yet. Towards noon gray clouds began to
grow which had a close, curly grain like bird's-eye
maple, and late at night rain fell, which
soon changed to snow; next morning about
ten inches lay on the meadows, and it was
still falling in a fine, cordial storm.
During the night of the 18th a torrent of rain
fell on the snow, but as the temperature was
34°, the snow line was only a few hundred
feet above the bottom of the valley, and to
get out of the rainstorm into the snowstorm
one had only to climb a little above the tops
of the pines. The streams, therefore, instead
of being increased in volume, were diminished
by the storm, because the snow sponged up
part of their waters and choked the smaller
tributaries. But about midnight the temperature
suddenly rose to 42°, carrying the snow
line far beyond the valley, over the upper
basins perhaps to the summit of the range, and
next morning Yosemite was rejoicing in a glorious
flood. Tile warm, copious rain falling on
the snow was at first absorbed and held back,
and so also was that portion of the snow that
the rain melted, and all that was melted by the
warm wind, until the whole mass of snow was
saturated and became sludgy, and at length
slipped and rushed simultaneously from a
thousand slopes into the channels in wild
extravagance, heaping and swelling flood over
flood, and plunging into the valley in one
stupendous avalanche.
Awakened by the roar, I looked out and at
once recognized the extraordinary character
of the storm. The rain was still pouring in
torrents, and the wind, blowing a gale, was
working in passionate accord with the flood.
The section of the north wall visible from my
cabin was covered with a network of falls--new
visitors that seemed strangely out of place.
Eager to get into the midst of the show, I
snatched a piece of bread for breakfast and
ran out. The mountain waters, suddenly
liberated, seemed to be holding a grand jubilee.
The two Sentinel cascades rivaled the great
falls at ordinary stages, and across the valley
by the Three Brothers I caught glimpses of
more falls than I could readily count; while
the whole valley throbbed and trembled, and
was filled with an awful, massive, solemn, sea-like
roar. After looking about me bewildered
for a few moments I tried to reach the upper
meadows, where the valley is widest, that I
might be able to see the walls on both sides,
and thus gain general views. But the meadows
were flooded, forming an almost continuous
lake dotted with blue sludgy islands, while innumerable
streams roared like lions across my
path and were sweeping forward rocks and
logs with tremendous energy over ground
where tiny gilias had been growing but a short
time before. Climbing into the talus slopes,
where these savage torrents were broken among
earthquake boulders, I succeeded in crossing
them, and forced my way up the valley to
Hutchings' Bridge, where I crossed the river
and waded to the middle of the upper meadow.
Here most of the new falls were in sight,
probably the most glorious assemblage of waterfalls
ever displayed from any one standpoint
in the world. On that portion of the south
wall between Hutchings' and the Sentinel
there were ten falls plunging and booming from
a height of nearly 3000 feet, the smallest of
which might have been heard miles away.
In the neighborhood of Glacier Point there
were six; between the Three Brothers and Yosemite
Fall, nine; between Yosemite and Royal
Arch Falls, ten; from Washington Column to
Mount Watkins, ten; on the slopes of Half
Dome, facing Mirror Lake, eight; on the shoulder
of Half Dome, facing the valley, three--fifty-six
new falls occupying the upper end of
the valley, besides a countless host of silvery
threads gleaming everywhere. In all the valley
there must have been upward of a hundred.
As if celebrating some great event, falls and
cascades came thronging in Yosemite costume
from every groove and cañon far and near.
All summer visitors will remember the comet
forms of the Yosemite Fall and the laces of
the Bridal Veil and Nevada. In the falls of
this winter jubilee the lace forms predominated,
but there was no lack of thunder-toned comets.
The lower portion of one of the Sentinel
cascades was composed of two main white
shafts, the space between them filled in with
chained and beaded gauze of intricate pattern, through
the singing threads of which
the purplish-gray rock could be dimly seen.
The series above Glacier Point was still more
complicated in structure, displaying every form
that one would imagine water might be dashed
and combed and woven into. Those on the
north wall between Washington Column and
the Royal Arch Fall were so nearly related that
they formed an almost continuous sheet, and
these again were but slightly separated from
those about Indian Cañon. The group about
the Three Brothers and El Capitan, owing to
the topography and cleavage of the cliffs back
of them, were more broken and irregular.
The Tissiack cascades were comparatively
small, yet sufficient to give that noblest of
mountain rocks a glorious voice. In the midst
of all this rejoicing the Yosemite Fall was
scarce heard until about three o'clock in the
afternoon. Then I was startled by a sudden
thundering crash as if a rock avalanche had
come to join the chorus. This was the flood
wave of Yosemite Creek, which had just arrived, delayed
by the distance it had to travel,
and by the choking snows of its widespread
fountains. Now, with volume tenfold increased
beyond its springtime fullness, it took its place
as leader of the glorious choir. No idle, silent
water was to be found anywhere; all sang loud
or low in divine harmony.
And the winds sang too, playing on every
pine, leaf, and rock, surging against the huge
brows and domes and outstanding battlements,
deflected hither and thither, broken into
a thousand cascading currents that whirled
in the hollow. And these again, reacting on
the clouds, eroded immense cavernous spaces
in their gray depths, sweeping forward the resulting
detritus in ragged trains like the
moraines of glaciers. These cloud movements in
turn published the work of the winds, giving
them a visible body, and enabling us to trace
their wild career. As if endowed with independent
motion, some detached cloud would
rise hastily upon some errand to the very top
of the wall in a single effort, examining the
faces of the cliffs, and then perhaps as suddenly
descend to sweep imposingly along the
meadows, trailing draggled fringes through the
pines, fondling their waving spires with infinite
gentleness, or gliding behind a grove or a single
tree bring it into striking relief, while all bowed
and waved in solemn rhythm. Sometimes as
they drooped and condensed, or thinned to
misty gauze, half the valley would be veiled at
once, leaving here and there some lofty headland
cut off from all visible connection with
the walls, looming alone, dim, spectral, as if
belonging to the sky--visitors, like the new
falls, come to take part in the festival. Thus
for two days and nights in measureless extravagance
the storm went on, and mostly without
spectators, at least of a terrestrial kind. I
saw nobody out--bird, bear, squirrel, or man.
Tourists had vanished months before, and the
hotel people and laborers were out of sight,
careful about getting cold and wet, and satisfied
with views from doors and windows. The
bears, I suppose, were in their boulder dens in
the cañons, the squirrels in their knot-hole
nests,
the grouse in close fir groves, and the small
singers in the chaparral. Strange to say, I did
not see even the water-ousel, though he must
have greatly enjoyed the storm.
This was the most sublime waterfall flood I
ever saw--clouds, winds, rocks, waters, throbbing
together as one. And then to contemplate
what was going on simultaneously with
all this in other mountain temples: the Big
Tuolumne Cañon--how the white waters
were singing there, and the winds, and how
the clouds were marching. In Hetch Hetchy
Valley also, and the great King's River Yosemite,
and in all the other cañons and valleys
of the Sierra from Shasta to the southernmost
fountains of the Kern--five hundred miles
of flooded waterfalls chanting together. What
a psalm was that!
John Muir.
Transcribed by webmaster from copy in the UCSD Library, 1997.